On dry land, we created movement material in a studio that once confronted in the water, forced us to take into consideration two of its inherent primordial elements: the lack of gravity and the absence of oxygen.  Dancers were literally gasping for air, while their body was suddenly much lighter and half floating.  Coming back to the studio and imagining what could be a sequel of the blue lagoon experience where water was the pivotal element:  we were sure of one thing, gravity and oxygen would be central to this piece Transaquania- Into Thin Air.

Sources of inspiration went from pictures of the population of the island of Miyakejima, in the Izu Archipel in Japan (its occupants have to permanently wear gas-masks because of high levels of Sulpher in the air from a dormant volcano), to the recent discovery of an animal called Loriciferans which requires no oxygen to live, as well as footage of cosmonauts evolving in zero gravity environments.

Working in a team comprised of two choreographers and one visual artist, somehow we find ourselves less concerned with choreography and more involved in creating living sculptures. The costumes and set elements become departure points for exploring new ways of moving and new physical possibilities; for re-defining our human body.

This is what the moves and mutations of this piece are trying to portray: a poetic story of evolution in an environment constantly in movement. This piece is maybe our most intuitive ode to the incredible powerful instinct of life, and the way it transforms us in our insatiable quest of survival and growth.